Ramya Raaga Tarangini

These were also developed by Purandaradasa.
He was considered as Lord Narada avatar.

For every each beat of the thalam two swaras have to be pronunced.
This is demonstrated in the following audio bits.

These were composed to acquire grip in the "Raagalaapana"(Tune+singing).
Practise of these Jantaswaraas will help in the pronunciation of the swaras in their respective pitch levels easily.

This is the second level in learning the basics of carnatic music.

First Jantaswaram

SA SA RI RI GA GA MA MA PA PA DA DA NI NI SA SA

SA SA NI NI DA DA PA PA MA MA GA GA RI RI SA SA

Second Jantaswaram

SA SA RI RI GA GA MA MA
RI RI GA GA MA MA PA PA
GA GA MA MA PA PA DA DA
MA MA PA PA DA DA NI NI
PA PA DA DA NI NI SA SA

SA SA NI NI DA DA PA PA
NI NI DA DA PA PA MA MA
DA DA PA PA MA MA GA GA
PA PA MA MA GA GA RI RI
MA MA GA GA RI RI SA SA

They are 5 in total and the remaining jantaswaras will only be taught to the paid users.

These were named as Saraliswaraalu which were the basics of carnatic music.
Founded by Sri Purandaradasa Garu who was famously christened as Sangeetha Pitha maha(Father of carnatic music).

SA - SADJAM (SOUND OF PEACOCK)
RI - RISHABHAM (SOUND OF OX)
GA - GANDHAARAM (SOUND OF GOAT)
MA - MADHYAMAM (SOUND OF KROUNCHA BIRD)
PA - PANCHAMAM (SOUND OF CUCKOO)
DA - DAIVATAM (SOUND OF HORSE)
NI - NISHADHAM (SOUND OF ELEPHANT)

These seven are called SAPTHASWARAAS.

SADJAM is christened as Mother of music.
PANCHAMAM is christened as Father of music.

Mayamalavagoula Raagam in Aadi Talam.

Melakartha consists of raagas it is the database for all the raagas of carnatic music.

Mayamalavagoula is considered as fifteenth among those 72 melakarthas.

First saraliswaram

SA RI GA MA PA DA NI SA

SA NI DA PA MA GA RI SA

second saraliswaram

SA RI GA MA SA RI GA MA SA RI GA MA PA DA NI SA

SA NI DA PA SA NI DA PA SA NI DA PA MA GA RI SA

Third saraliswaram

SA RI GA MA SA RI SA RI SA RI GA MA PA DA NI SA

SA NI DA PA SA NI SA NI SA NI DA PA MA GA RI SA

They are totally 13 saraliswaras and these were composed to acquire grip in those swaras and their respective pitch levels.
Practise of these swaras will allow you to get grip in carnatic music.

If you are interested in learning those remaining 10 saraliswaras let me know so that we can make a deal on timings and the remaining things.